Ralph Waldo Emerson, Finish every day and be done with it

λinaπ

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Ralph Waldo Emerson, Finish every day and be done with it

You have done what you could.
Some blunders and absurdities
no doubt have crept in;
forget them as soon as you can.

Tomorrow is a new day;
begin it well and serenely
and with too high a spirit
to be cumbered with
your old nonsense.

This day is all that is
good and fair.

It is too dear,
with its hopes and invitations,
to waste a moment on yesterdays
« Last Edit: 15 May, 2011, 09:18:41 by Frederique »
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vmelas

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It is too dear,
with its hopes and invitations,
to waste a moment on yesterdays

Θα μείνω σε αυτούς τους στίχους που τελευταία τους έχω κάνει προσευχή πρωινή... Υπέροχο, σε ευχαριστούμε Λίνα :)
« Last Edit: 24 Apr, 2008, 23:37:10 by wings »



Frederique

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Ralph Waldo Emerson, Loss and Gain


Virtue runs before the muse
And defies her skill,
She is rapt, and doth refuse
To wait a painter's will.
Star-adoring, occupied,
Virtue cannot bend her,
Just to please a poet's pride,
To parade her splendor.
The bard must be with good intent
No more his, but hers,
Throw away his pen and paint,
Kneel with worshippers.
Then, perchance, a sunny ray
From the heaven of fire,
His lost tools may over-pay,
And better his desire.




Source: amazon



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Frederique

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Ralph Waldo Emerson, Poet


To clothe the fiery thought
In simple words succeeds,
For still the craft of genius is
To mask a king in weeds.



Source: http://www.bartleby.com/102/44.html


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Frederique

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Ralph Waldo Emerson, Ode To Beauty


Who gave thee, O Beauty!
The keys of this breast,
Too credulous lover
Of blest and unblest?
Say when in lapsed ages
Thee knew I of old;
Or what was the service
For which I was sold?
When first my eyes saw thee,
I found me thy thrall,
By magical drawings,
Sweet tyrant of all!
I drank at thy fountain
False waters of thirst;
Thou intimate stranger,
Thou latest and first!
Thy dangerous glances
Make women of men;
New-born we are melting
Into nature again.
Lavish, lavish promiser,
Nigh persuading gods to err,
Guest of million painted forms
Which in turn thy glory warms,
The frailest leaf, the mossy bark,
The acorn's cup, the raindrop's arc,
The swinging spider's silver line,
The ruby of the drop of wine,
The shining pebble of the pond,
Thou inscribest with a bond
In thy momentary play
Would bankrupt Nature to repay.

Ah! what avails it
To hide or to shun
Whom the Infinite One
Hath granted his throne?
The heaven high over
Is the deep's lover,
The sun and sea
Informed by thee,
Before me run,
And draw me on,
Yet fly me still,
As Fate refuses
To me the heart Fate for me chooses,
Is it that my opulent soul
Was mingled from the generous whole,
Sea valleys and the deep of skies
Furnished several supplies,
And the sands whereof I'm made
Draw me to them self-betrayed?
I turn the proud portfolios
Which hold the grand designs
Of Salvator, of Guercino,
And Piranesi's lines.
I hear the lofty Pæans
Of the masters of the shell,
Who heard the starry music,
And recount the numbers well:
Olympian bards who sung
Divine Ideas below,
Which always find us young,
And always keep us so.
Oft in streets or humblest places
I detect far wandered graces,
Which from Eden wide astray
In lowly homes have lost their way.

Thee gliding through the sea of form,
Like the lightning through the storm,
Somewhat not to be possessed,
Somewhat not to be caressed,
No feet so fleet could ever find,
No perfect form could ever bind.
Thou eternal fugitive
Hovering over all that live,
Quick and skilful to inspire
Sweet extravagant desire,
Starry space and lily bell
Filling with thy roseate smell,
Wilt not give the lips to taste
Of the nectar which thou hast.

All that's good and great with thee
Stands in deep conspiracy.
Thou hast bribed the dark and lonely
To report thy features only,
And the cold and purple morning
Itself with thoughts of thee adorning,
The leafy dell, the city mart,
Equal trophies of thine art,
E'en the flowing azure air
Thou hast touched for my despair,
And if I languish into dreams,
Again I meet the ardent beams.
Queen of things! I dare not die
In Being's deeps past ear and eye,
Lest there I find the same deceiver,
And be the sport of Fate forever.
Dread power, but dear! if God thou be,
Unmake me quite, or give thyself to me.



Source: http://www.emersoncentral.com/poems/ode_to_beauty.htm

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Frederique

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Ralph Waldo Emerson
(May 25, 1803 – April 27, 1882) was an American lecturer, essayist and poet, who led the Transcendentalist movement of the mid-19th century. He was seen as a champion of individualism and a prescient critic of the countervailing pressures of society, and he disseminated his thoughts through dozens of published essays and more than 1,500 public lectures across the United States.

Emerson gradually moved away from the religious and social beliefs of his contemporaries, formulating and expressing the philosophy of Transcendentalism in his 1836 essay, Nature. Following this ground-breaking work, he gave a speech entitled The American Scholar in 1837, which Oliver Wendell Holmes, Sr. considered to be America's "Intellectual Declaration of Independence". Considered one of the great lecturers of the time, Emerson had an enthusiasm and respect for his audience that enraptured crowds.

Emerson wrote most of his important essays as lectures first, then revised them for print. His first two collections of essays – Essays: First Series and Essays: Second Series, published respectively in 1841 and 1844 – represent the core of his thinking, and include such well-known essays as Self-Reliance, The Over-Soul, Circles, The Poet and Experience. Together with Nature, these essays made the decade from the mid-1830s to the mid-1840s Emerson's most fertile period.

Emerson wrote on a number of subjects, never espousing fixed philosophical tenets, but developing certain ideas such as individuality, freedom, the ability for man to realize almost anything, and the relationship between the soul and the surrounding world. Emerson's "nature" was more philosophical than naturalistic; "Philosophically considered, the universe is composed of Nature and the Soul."

While his writing style can be seen as somewhat impenetrable, and was thought so even in his own time, Emerson's essays remain one of the linchpins of American thinking, and Emerson's work has greatly influenced the thinkers, writers and poets that have followed him. When asked to sum up his work, he said his central doctrine was "the infinitude of the private man."



Ralph Waldo Emerson

Poems published in Translatum:



Also in Translatum:




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