Rapture, Carol Ann Duffy

eleftheria

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River

Down by the river, under the trees, love waits for me
to walk from the journeying years of my time and arrive.
I part the leaves and they toss me a blessing of rain.

The river stirs and turns consoling and fondling itself
with watery hands, its clear limbs parting and closing.
Grey as a secret, the heron bows its head on the bank.

I drop my past on the grass and open my arms, which ache
as though they held up this heavy sky, or had pressed
against window glass all night as my eyes sieved the stars;

open my mouth, wordless at last meeting love at last, dry
from travelling so long, shy of a prayer. You step from the shade,
and I feel love come to my arms and cover my mouth, feel

my soul swoop and ease itself into my skin, like a bird
threading a river. Then I can look love full in the face, see
who you are I have come this far to find, the love of my life.

–––––––––––––––––––––––––––––––––––––––––––––

You

Uninvited, the thought of you stayed too late in my head,
so I went to bed, dreaming you hard, hard, woke with your name,
like tears, soft, salt, on my lips, the sound of its bright syllables
like a charm, like a spell.

Falling in love
is glamorous hell; the crouched, parched heart
like a tiger ready to kill; a flame's fierce licks under the skin.
Into my life, larger than life, beautiful, you strolled in.

I hid in my ordinary days, in the long grass of routine,
in my camouflage rooms. You sprawled in my gaze,
staring back from anyone's face, from the shape of a cloud,
from the pining, earth-struck moon which gapes at me

as I open the bedroom door. The curtains stir. There you are
on the bed, like a gift, like a touchable dream.

Carol Ann Duffy, Rapture
The poet is rather an old book
The poet is missing
The poet is a liar
The poet is you


wings

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Frederique

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Carol Ann Duffy, Words, Wide Night

Somewhere on the other side of this wide night
and the distance between us, I am thinking of you.
The room is turning slowly away from the moon.

This is pleasurable. Or shall I cross that out and say
it is sad? In one of the tenses I singing
an impossible song of desire that you cannot hear.

La lala la. See? I close my eyes and imagine the dark hills
I would have to cross to reach you.
For I am in love with you
and this is what it is like or what it is like in words.
Communicate. Explore potentials. Find solutions.


Frederique

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Carol Ann Duffy, Talent

This is the word tightrope. Now imagine
a man, inching across it in the space
between our thoughts. He holds our breath.

There is no word net.

You want him to fall, don't you?
I guessed as much; he teeters but succeeds.
The word applause is written all over him.


Communicate. Explore potentials. Find solutions.



Frederique

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Carol Ann Duffy (born 23 December 1955) is a Scottish poet and playwright. She is Professor of Contemporary Poetry at the Manchester Metropolitan University, and was appointed Britain's poet laureate in May 2009. She is the first woman, the first Scot, and the first openly bisexual person to hold the position.

Her collections include Standing Female Nude (1985), winner of a Scottish Arts Council Award; Selling Manhattan (1987), which won a Somerset Maugham Award; Mean Time (1993), which won the Whitbread Poetry Award; and Rapture (2005), winner of the T. S. Eliot Prize. Her poems address issues such as oppression, gender, and violence, in an accessible language that has made them popular in schools.


Carol Ann Duffy has been named as the new Poet Laureate, the first woman to be appointed in the 341-year history of the post. (BBC)

 
Carol Ann Duffy

Links:
SheerPoetry.co.uk

 Poems published in Translatum:

« Last Edit: 28 Nov, 2011, 19:01:58 by Frederique »
Communicate. Explore potentials. Find solutions.


 

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