Author Topic: Le Concert (French comedy film by Radu Mihăileanu)  (Read 1301 times)

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Le Concert (French comedy film by Radu Mihăileanu)
« on: 27 Aug, 2012, 13:28:15 »
Le Concert is a 2009 French comedy film by Radu Mihăileanu starring Aleksei Guskov, Mélanie Laurent and Miou-Miou. It won the Best Original Score and Best Sound awards at César Awards 2010.


A former world-famous conductor of the Bolshoi Theatre orchestra, known as "The Maestro", Andrey Simonovich Filipov, had had his career publicly broken by Leonid Brezhnev for defending Jewish musicians and now is reduced to being an alcoholic working as a mere janitor in the theatre where he once conducted.

While cleaning his boss' office he intercepts an official invitation from the prestigious Théâtre du Châtelet in Paris to replace a concert with the Los Angeles Philharmonic Orchestra that was canceled at the last minute. Filipov comes up with a plan to reunite his old orchestra, composed of old Jewish and Gypsy musicians - who also have been reduced to make a living as movers or taxi drivers - to perform in Paris and complete a performance of Tchaikovsky's Violin Concerto, which was interrupted 30 years earlier by former KGB Agent Ivan Gavrilov, who is enroled by Filipov in his scheme as the orchestra's manager and is actively and efficiently supporting Filipov's plan, much to the dismay and suspicion of Aleksandr 'Sasha' Abramovich Grossman, because it turns out that Gavrilov has his own agenda for the Paris trip.

Gavrilov and Filipov demand several conditions from the Châtelet, that they are forced to accept, since the concert with the Bolshoi is significantly less expensive; one of those conditions is that the solo violinist is Anne-Marie Jacquet, who famously has never played Tchaikovsky's concerto because she is afraid of it, but has long dreamt of playing it with the Bolshoi and particularly with Filipov - whose fame outside of Russia has not diminished -; her agent, Guylène de La Rivière, who is also Anne-Marie's adoptive mother, is reluctant to allow that, because she is acquainted with Filipov and his past, but Anne-Marie insists and she has no option but to accept. The orchestra is also forced to accept the sponsorship of an openly mafia boss who likes to play the cello, despite the fact that he does so terribly and who is part of the orchestra.[...]


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