Author Topic: W. B. Yeats  (Read 2529 times)

Frederique

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W. B. Yeats
« on: 08 Jun, 2011, 17:12:53 »
William Butler Yeats (13 June 1865 – 28 January 1939) was an Irish poet and playwright, and one of the foremost figures of 20th century literature. A pillar of both the Irish and British literary establishments, in his later years Yeats served as an Irish Senator for two terms. He was a driving force behind the Irish Literary Revival and, along with Lady Gregory, Edward Martyn, and others, founded the Abbey Theatre, where he served as its chief during its early years. In 1923 he was awarded the Nobel Prize in Literature for what the Nobel Committee described as "inspired poetry, which in a highly artistic form gives expression to the spirit of a whole nation." He was the first Irishman so honoured. Yeats is generally considered one of the few writers who completed their greatest works after being awarded the Nobel Prize; such works include The Tower (1928) and The Winding Stair and Other Poems (1929).[...]


William Butler Yeats photographed in 1911 by George Charles Beresford

Poems published in Translatum


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« Last Edit: 24 Apr, 2012, 08:13:04 by Frederique »
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Frederique

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W.B. Yeats, A Dialogue Of Self And Soul
« Reply #1 on: 08 Jun, 2011, 17:14:06 »

W.B. Yeats, A Dialogue Of Self And Soul

i{My Soul} I summon to the winding ancient stair;
Set all your mind upon the steep ascent,
Upon the broken, crumbling battlement,
Upon the breathless starlit air,
'Upon the star that marks the hidden pole;
Fix every wandering thought upon
That quarter where all thought is done:
Who can distinguish darkness from the soul
i{My Self}. The consecretes blade upon my knees
Is Sato's ancient blade, still as it was,
Still razor-keen, still like a looking-glass
Unspotted by the centuries;
That flowering, silken, old embroidery, torn
From some court-lady's dress and round
The wodden scabbard bound and wound
Can, tattered, still protect, faded adorn
i{My Soul.} Why should the imagination of a man
Long past his prime remember things that are
Emblematical of love and war?
Think of ancestral night that can,
If but imagination scorn the earth
And interllect is wandering
To this and that and t'other thing,
Deliver from the crime of death and birth.
i{My self.} Montashigi, third of his family, fashioned it
Five hundred years ago, about it lie
Flowers from I know not what embroidery --
Heart's purple -- and all these I set
For emblems of the day against the tower
Emblematical of the night,
And claim as by a soldier's right
A charter to commit the crime once more.
i{My Soul.} Such fullness in that quarter overflows
And falls into the basin of the mind
That man is stricken deaf and dumb and blind,
For intellect no longer knows
i{Is} from the i{Ought,} or i{knower} from the i{Known -- }
That is to say, ascends to Heaven;
Only the dead can be forgiven;
But when I think of that my tongue's a stone.
i{My Self.} A living man is blind and drinks his drop.
What matter if the ditches are impure?
What matter if I live it all once more?
Endure that toil of growing up;
The ignominy of boyhood; the distress
Of boyhood changing into man;
The unfinished man and his pain
Brought face to face with his own clumsiness;
The finished man among his enemies? --
How in the name of Heaven can he escape
That defiling and disfigured shape
The mirror of malicious eyes
Casts upon his eyes until at last
He thinks that shape must be his shape?
And what's the good of an escape
If honour find him in the wintry blast?
I am content to live it all again
And yet again, if it be life to pitch
Into the frog-spawn of a blind man's ditch,
A blind man battering blind men;
Or into that most fecund ditch of all,
The folly that man does
Or must suffer, if he woos
A proud woman not kindred of his soul.
I am content to follow to its source
Every event in action or in thought;
Measure the lot; forgive myself the lot!
When such as I cast out remorse
So great a sweetness flows into the breast
We must laugh and we must sing,
We are blest by everything,
Everything we look upon is blest.



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crystal

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W. B. Yeats, Lines Written In Dejection
« Reply #2 on: 25 Jun, 2011, 14:17:23 »
W. B. Yeats, Lines Written In Dejection

WHEN have I last looked on
The round green eyes and the long wavering bodies
Of the dark leopards of the moon?
All the wild witches, those most noble ladies,
For all their broom-sticks and their tears,
Their angry tears, are gone.
The holy centaurs of the hills are vanished;
I have nothing but the embittered sun;
Banished heroic mother moon and vanished,
And now that I have come to fifty years
I must endure the timid sun.



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W. B. Yeats, When You Are Old
« Reply #3 on: 13 Jul, 2011, 00:43:35 »
W. B. Yeats, When You Are Old





When you are old and grey and full of sleep,
And nodding by the fire, take down this book,
And slowly read, and dream of the soft look
Your eyes had once, and of their shadows deep;

How many loved your moments of glad grace,
And loved your beauty with love false or true,
But one man loved the pilgrim soul in you,
And loved the sorrows of your changing face;


And bending down beside the glowing bars,
Murmur, a little sadly, how Love fled
And paced upon the mountains overhead
And hid his face amid a crowd of stars.







William Butler Yeats, When You Are Old (Γουίλιαμ Μπάτλερ Γέιτς: Όταν γεράσεις, μετάφραση: Κρυσταλλία Κατσαρού)

When You Are Old
William Butler Yeats

WHEN you are old and gray and full of sleep,
And nodding by the fire, take down this book,
And slowly read, and dream of the soft look
Your eyes had once, and of their shadows deep;

How many loved your moments of glad grace,
And loved your beauty with love false or true,
But one man loved the pilgrim soul in you,
And loved the sorrows of your changing face;
    
And bending down beside the glowing bars,
Murmur, a little sadly, how Love fled
And paced upon the mountains overhead
And hid his face among a crowd of stars.

Όταν γεράσεις
Γουίλιαμ Μπάτλερ Γέιτς (μετάφραση: Κρυσταλλία Κατσαρού)

Όταν γεράσεις κι ασπρίσεις και στον ύπνο βυθιστείς
Καθισμένη δίπλα στη φωτιά, μ’ ένα βιβλίο στο χέρι
Να το διαβάζεις αργά, ν’ αφήνεσαι στων ματιών τις θύμησες
Στο βλέμμα τους, στις χαρακιές σκιές τους

Τόσοι πολλοί αγαπήσανε τις ροδαλές στιγμές σου
Την ομορφιά σου αγάπησαν στ’ αλήθεια ή σαν ψέμα
Ένας, όμως, αγάπησε τη συντροφιά ψυχή σου
Τις παλλόμενες πτυχώσεις θλίψης στην όψη τη δική σου

Κι έτσι σκυμμένη στη σιδηρά εστία την πυρωμένη
Να ψιθυρίζεις, δίχως χαρά, πώς πέταξε η Αγάπη
Και δρασκελώντας τα βουνά, ένα έγινε με δαύτα
Το πρόσωπό του κρύβοντας ανάμεσα στα άστρα


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